Find out where to watch on. For several college students embarked on a summer of sun and fun find that their adventure.
Bad Blood the Hunger (2. Starring: Also Starring: Director: Screenwriter: Producer: Distributor: Production Company: * Most external filmography links go to The Internet Movie Database. Other Links. Bad Blood the Hunger (2. Opened: 1. 0/2. 6/2. Limited. Trailer: Click for trailer. Genre: Horror/Thriller.
Rated: R for violence and language. What if you're invited to dinner and it turns out.. Opened Friday October 2. NY, Chicago, Los Angeles, Houston, Dallas, Philadelphia, Denver, Fresno, San Diego and Las Vegas.
Synopsis. Summer vacation will never be the same for nine College students on their way to Lake Tahoe when they are derailed from their plans and land at 'Millie's Cherry Pie Inn and Diner' and the very 'normalcy' of both 'Lawrence' the Charming Patriarch of this group of . But, I had no idea what my thirteenth birthday would usher in and forever change my life's direction. One day, a friend asked me to go with him to the Lyceum Theatre at 4. St. On a dare, and without any expectations, I joined my buddy in a line of over 4. To say I didn't know my left foot from my right on Stage is an understatement, yet despite this minor fact Moss Hart cast me as Haskell Cummings Junior and embarked me on a lifetime adventure from which I have yet to recover.
Sad to say formal schooling and I were not on the best of terms, but the moment I stepped out onto the Broadway stage I became both a participant and an avid student; reading every play, script, classic literature and countless books on Theater and the Directors who'd left major footprints in our Industry. I strongly believe that whatever acting or directing talents I might possess were nurtured by the directing geniuses of their day with whom I had been privileged to work.
Among them Moss Hart, George S. Kaufman, George Abbott, Garson Kanin, Lee Strassberg Henry King.
And over the past few years such extraordinary film directors as Garry Marshall, Joel Schumacher, Gene Saks, Mel Frank, Walter Hill, Sidney Pollock, Mark Rydell, James Ivory, and of course my friend Billy Crystal. They all contributed to my respect for their talent, and added to my passion for Cinema in all its forms, and ultimately allowed me to dare put on a director's hat. In fact it's one of my pet theories that the person on the set wearing the zaniest or greatest hat is, of course, the Director- -naturally I have a limitless supply of hats. Perhaps in retrospect, all the above traveled roads were but detours on my route to becoming a director because even at 1. I briefly flirted with the idea by directing a few scenes in my first Movie 'SNAFU' starring opposite Robert Benchley. Yet it wasn't until many years later when directing .
It was and is still the greatest and most demanding 'work- out' I've ever undertaken. A director never sits, barely eats, and must micro- manage every phase of a film. Which is why I was grateful that while still in my teens, and in the same Frenzy of learning, I had also become a professional photographer, and for years, as the co- owner of the Sidney Janis Gallery had carefully observed my mother and father cultivate the Artists of the 2. Century, thus learning about composition, style and spatial expression, all of which I brought into play while Directing BAD BLOOD. At 1. 7, in addition to my Broadway, T. V. And for years I have Led and still lead these Classic 'Traditional Jazz' Musicians, all of which further prepared me for the sometimes thankless, often exhilarating task of leading, coaxing and drawing out performances from our actors. I am convinced this aspect of my life added to my ease on the set of BAD BLOOD as I was already used to taking command on stage, and if I had to describe it, my approach to Directing is basically musical.
I mean scripts have beats, rhythms, movements, crescendos, lulls, arpeggios, and what I call 'Hallelujah Choruses', so I just orchestrated our Film till it became a Terror- filled Concert we could all enjoy. Still I faced a monumental task with countless challenges venturing into a 'Genre' film like BAD BLOOD with it's teen to mid- twenty sensibility and a huge cast of young up and coming Stars.
Bad Blood: The Hunger Synopsis College students are lured into an enclave of ravenous flesh eaters with benign personas. Title: Bad Blood (2012) 5.7 /10. Want to share IMDb's.
However, I loved my wife's, writer- producer Maria Janis' script whose approach was to elevate the genre to a cross- generational level, while satisfying all the Classic Horror dictates. We were also determined to recreate the glamour found in the Golden Age of Cinema. Thus Maria invented a color timing technique called: COLORIQUE that drew out eyelashes, the contraction of a pupil, the lovely film Noir shadows of yesteryear, coupled with a Technicolor- like brilliance and ice- cream rich colors. This was all done in Post and deviates from today's mono- neutral 'Uni- tone' film palette, giving us almost a . You could 'eat the film with a spoon', but beware of what you are eating. Naturally Hitchcock's films meant the most to me in conceiving my approach to BAD BLOOD, going as far back as his . What drew me most to him, though not often mentioned by others, was the fact that Hitchcock looked for and reveled in Character- driven projects.
His infamous 'Angles' were and still are stamped 'HIS', so that was not my focus.. Instead, and because we had many actors with big character changes in store for them I decided to just gently direct them through the IDEAS of the script, and let them interact during rehearsals, becoming comfortable with their characters, and bond with me and each other. Another influence was lightly touched upon in a couple of scenes from Nicholas Roeg's Classic.
Bad Blood (2012) 107 min; Horror; Release Date October.